We film plenty and publish almost none of it.
Six stages, and the cutting is the third.
Most footage doesn’t fail in the camera; it fails in the edit, or never gets one. So we go story, edit, polish, versions, and agree the story with you before cutting.
Point at a stage, or tap it, to play it.
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01
Footage review
We watch everything you shot before cutting a frame. The best moment is often in the take nobody flagged.
Stage clip · not made yet -
02
Story first
A paper edit first: what the film says, in what order, for whom. Agreed with you before a single cut.
Stage clip · not made yet -
03
Video editing
Picture, pace and rhythm, cut for where it’ll be watched: a phone feed, a landing page or an event screen.
Stage clip · not made yet -
04
Motion graphics and VFX
Titles, captions, callouts, animation and compositing, built in your brand, never from a template pack.
Stage clip · not made yet -
05
Colour grading and sound
Shots from different cameras matched, and audio cleaned and mixed, so it sounds as good as it looks.
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06
Versions and handover
Every cut-down and aspect ratio you need, plus project files, handed over in your name.
Stage clip · not made yet -
From you
What we need from you (it’s short)
- One decision-maker who can sign off
- Footage, logos and brand files in one shared folder
- Feedback within two working days per cut
Three films, and what they did once they were out.
Three projects where the footage existed and the film didn’t, with how they performed after.
Hear it from someone who paid us.
Five questions that come with a hard drive of footage.
Cost, timeline, team and scope are on the services page. These only come up once there is footage to cut.
Yes. Most of what we cut is phone footage. We stabilise it, match the colour and clean the sound so it sits beside everything else.
Two per cut, agreed in writing. Every note lives in one place, so nothing gets lost in an email thread.
You own the edit and project files. Music is licensed in your name, and we tell you where it can be used before it goes in.
Yes: every length and format, from a six-second ad to the full film, with burned-in captions for mute viewers.
Often that’s the whole job. Titles, callouts, VFX and animated explainers can turn footage you already own into a new film.
The services that tend to tag along.
Ads need fresh creative every few weeks. One shoot, cut many ways, keeps campaigns fed.
Read about Marketing
A film is your brand in motion. Type, colour and motion rules carry straight into the edit.
Read about Branding
A great film on a slow page goes unwatched. We size and place it to load fast and play.
Read about Websites & UI UXSend us the footage you never used.
Thirty minutes, no slides. Share a folder first and get a straight answer: is it the footage, the story or the edit?